
Men
Talk
It
was the winter I had to get away.
Though
I didn't know it then,
I
needed the kind of solace
you
get at depressing moving
if
they're good; all those others
just
like you. In Orlando,
biding
time, I watched peacocks
among
people in a wooded preserve,
then
drove further inland past cattle
to
where my friend lived.
I
was glad the peacocks made awful
sounds,
and I was glad—
after
we jogged his circular path
through
the orange groves—
that
our polite, complete sentences
broke
down into talk
of
his empty house, the woman who left,
and
then my house far away.
I
told him what staying meant, as if
I
knew; the precipice in every room.
Friendship:
someone leaning
to
your side of the truth.
Next
day was beautiful,
seventy-five
degrees, and each of us
silent,
back in control.
We
walked into the countryside,
pointed
away from ourselves
toward
the landscape,
took
possession of it for a while.
Kumquats
were growing next to lemons
and
white birds rode the backs of cows.
Though
it wasn't, it seemed enough,
seemed
we'd never have to speak again.
Between
Angels
Between
angels, on this earth
absurdly
between angels,
I
try to navigate
in
the bluesy middle ground
of
desire and withdrawal,
in
the industrial air,
among
the bittersweet
efforts
of people to connect,
make
sense, endure.
The
angels out there,
what
are they?
Old
helpers, half-believed,
or
dazzling better selves,
imagined,
that
I turn away from
as
if I preferred
all
the ordinary, dispiriting
tasks
at hand?
I
shop in the cold
neon
aisles
thinking
of pleasure,
I
kiss my paycheck
a
mournful kiss goodbye
thinking
of pleasure,
in
the evening replenish
my
drink, make a choice
to
read or love or watch,
and
increasingly I watch.
I
do not mind living
like
this. I cannot bear
living
like this.
Oh,
everything's true
at
different times
in
the capacious day,
just
as I don't forget
and
always forget
half
the people in the world
are
dispossessed.
Here
chestnut oaks
and
tenements
make
their unequal claims.
Someone
thinks of betrayal.
A
child spills her milk;
I'm
on my knees cleaning it up—
sponge,
squeeze, I change nothing,
just
move it around.
The
inconsequential floor
is
beginning to shine.
Stephen
Dunn